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Rhia Janta-Cooper Fine Art

I Love Isle of Skye, Scottish Landscape

I Love Isle of Skye, Scottish Landscape

Regular price £150.00 GBP
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Discover the beauty of the Isle of Skye: why I fell in love with the Red Cuillins and this remarkable place.
Picture a place where mountains rise into the mist and nature fills the land with colour. That’s the Isle of Skye—a painter’s paradise where the Red Cuillins and the Scottish landscape inspire me again and again.
Skye’s wide views, steep cliffs, and mysterious feel make it a true delight for the senses. Each colored pencil stroke tells a story and brings the scene to life on the board.
Step into a place where nature and creativity come together, where landscapes turn into art, and the Red Cuillins never stop inspiring.
The Red Cuillins are striking volcanic rock peaks, set against a bold backdrop of the Scottish sky. Their red colour comes from iron-rich rock, which makes them different from the Black Cuillins, which are formed from dark gabbro.
The Scottish landscape is my dream come true, with its rolling hills, dramatic coasts, and beautiful lochs. Skye stands out for its variety, from the peaceful Fairy Glen to the wild Quiraing.
When I spend time in the Scottish landscape, I try to capture both its beauty and the feelings it brings out in me. Each pencil line shows the grand mountains, calm lochs, and wild spirit of the land. Through my art, I hope to share the places that have moved me, so others can see Skye as I do.
Keeping the beauty of the Isle of Skye alive through art.
As an artist, I want not only to find inspiration in Skye’s beauty but also to help protect it. Through my work, I hope to show how delicate the landscape is and encourage others to value and care for its natural wonders.
  • Materials: paper illustration board, oil-based coloured pencils "Polychromos" by Faber-Castell, Derwent Lightfast Pencils, varnish for drawings.
  • Style: Realism influenced by Impressionism
  • Size: 35 x 25 x 0.2 cm; the artwork itself is 32.5 x 22.8 cm; this leads to a clean margin around the image as a preparation for a mounting mat
  • This artwork is not framed.
  • The second image only shows an example of how the drawing may look in a frame and on a wall.
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